computational() { GCD }


A creative coding project for the MA Graphic Communication Design at Central Saint Martins, University of the Arts London.

 

AIM

To investigate the liminal space between traditional graphic design and computational design through creative coding.

Graphic Design

<————————————>

Computational Design
(creative coding)

The context

REFERENCES

 

David Reinfurt
A *New* Program for Graphic Design

The incremental designs respond to an existing interaction, rather than asking the more fundamental question of what the interaction could be. An interface can be radically reconceived, even just its visual vocabulary can suggest a completely different use.

It’s an iterative design approach, or an iterative methodology, where you see it and you evaluate it, and you make changes from there.

Casey Reas
Hello World! Processing

Ultra Lab
13:40

 

Alexandra Ludovico
Post-Digital Print: A Future Scenario
(Post-Digital Print: The Mutation of Publishing since 1984)

If print increasingly becomes a valuable or collectable object, and digital publishing indeed continues to grow as expected, the two will nevertheless cross paths frequently, potentially generating new hybrid forms.

It may be worth envisioning a kind of ‘print sampling’, comparable to sampling in music and video, where customised content (either anthologies or new works) can be created from past works. Such a ‘remix’ publishing strategy could create new cultural opportunities, and open up
new ‘processual’ publishing practices
.

 

Technologies such as VR, augmented reality, wearables, and the internet of things are pointing to a world where technology will envelop every aspect of our lives. It will be the glue between every interaction and experience, offering amazing possibilities, while also controlling the way we understand the world.

Keiichi Matsuda
Hyper-Reality
hyper-reality.co